Sunday, August 29, 2010
Parle Americano?
Lago di Ledro
But then that's the point. Mind you, with all the Germans and Dutch tourists as well as the motorcycle riders that frequent it's windy country roads, Lago di Ledro can be a bit noisy. But these never overtake nor overwhelm the place. The water remains calm (hardly a motorized boat traversed the lake), the beaches always guarantee a quiet spot, and the roads and trails that surround the lake are never crowded, allowing for that now cliched emotional and spiritual renewal that the bigger lakes used to offer. It's clear blue waters and constantly shifting light made mobile by the clouds that are trapped in the valley by the surrounding mountains make writers think about time and place, artists of color and movement, and photographers of light and dark. Slowly, the place grows on you until you find that it inspires something in you, and you don't want to drive back to the traffic jams in Garda. Friday, August 27, 2010
Aquilea

Ancient Roman dwelling upgraded to mansion after new finds
Thursday, August 19, 2010
Five on Focus - Italian Cinema
Five on Focus: American Expat Bloggers on Italian Movies
Mostly by female bloggers living in what I would say benign parts of Italy (Florence, Rome, Venice). Which is not bad, only that one does get a certain point of view from the bloggers involved. I would have loved to see input from folks from the "other" industrial north (Turin or Genova) speak about films about the noisy dirty urban core, or from Naples talking about Southern Italians without talking about the mafia or the family (I know, it's almost impossible, but there a few movies for example about the African immigrant experience, something well outside of the Italian ideal). But the biggest surprise is the complete ommision of Fellini, as if there was a rule against mentioning the filmmaker most instrumental in developing our current ideas of Italian la dolce vita. Of his films, I would consider Amarcord to be the best because it fully illustrates that very Italian obsession with facade and impressions, without glossing over the limits of putting up a daily personal show (living with fascism is depicted as a daily farce akin to servicing impossible adolescent wet dreams). Another film that was also not mentioned which I think was instrumental in really romanticizing the idea of Italy to other Western viewers is David Lean's Summertime, about a woman's escape to Venice and her tryst with a merchant separated from his wife. It's a wonderful movie and may be the pinnacle of that sub-genre of movies about women finding themselves in Venice or some other Italian locale, without giving in to romantic notions of finding love in a place one does not even know is real. Despite these ommissions, the list are still great, if for nothing else to introduce you to some great contemporary Italian films and to the generally underrated Italian comedy.
Thursday, August 5, 2010
Movies in Italy: The Talented Mr. Ripley (Anthony Minghella, 1999)

*This series is to introduce you to the various films that were either set in Italy or were made in Italy, discussing how we as outsiders view the country and how Italians view themselves, and how this is expressed and experienced through the art of cinema
The Talented Mr. Ripley is an all-around movie that you could relate to whatever it is that’s bugging you at the moment: the role of women in a patriarchal society as seen in Marge’s character; Tom’s shape-shifting but ultimately tragic homosexual; Dickie’s invincibility and invisibility afforded to him by his privilege; even the rift between classical and modern music representing the coming social rift represented by the 60s. But for me what appealed is the Italy portrayed, and how it represents the Italy most expect when they visit the country. I think the movie tries to parody the self-absorbed relationship that the upper-class visitors has to Italy, but only unconsciously. There’s drama ,conflict, murder, but all of which have nothing to do with Italy or its people. A side-story about a tragic love-affair with an Italian woman was the closest these characters had at actually perceiving the country beyond their rose-colored spectacles, but even then it was easily dismissed as an element that revealed Dickie’s true character, without regard to the largely perfunctory and silent female character. The film have a lot of village scenes and postcard-pretty shots of Rome, Venice, and Sanremo, but it’s so remote to the story that I often questioned if the scenes were set in a sound studio. It’s like the film crew was on vacation, and they just needed to prove that they were there. There was no direct way that the scenery was engaged, no efforts to make the obviously staged market and street scenes more believable, not even to make the obviously exotic locales more palpable in their alieness. It might as well have been just another serial killer story set in Cleveland.
Thursday, July 29, 2010
How to Make Coffee With a Moka
A couple of months ago, my good friend from the US that I share an apartment with received a moka from our friends who were eager to introduce us to the world--nay, completely different universe--of Italian coffee. I have already been converted, enjoying the thicker, richer coffe than the watery bitter American version. My friend on the other hand was a recent convert of non-American coffee, enjoying the blends in Vienna so much so that he couldn't wait to get his hands on the reputedly better local variety. He even got the small cups! (I thought we could just buy the cheaper plastic version from the local toy store.)
I have never been to an Italian kitchen without one of these moka, but it is also not uncommon for Italians to opt for the fancier barista machines. And honestly, the taste is better. Coffee from a moka is good (it really depends on the brand of coffee more than anything), but it always has a hint of bitterness, as if it spent a couple of minutes on the stove too long. But the barista machines always produce a robust coffee with little of the bitterness, the taste being a bit more consistent and rich. But any which way, it is better than American coffee, which uses a lot less coffee grinds and a lot more water, which creates a runny, watery, almost opaque fluid that is more bitter than flavorful.
Although Illy is a big, internationally renowned brand--almost like the Italian Nescafe--it admittedly produces really good if not the best coffee, something most Italians I know testify to. It is produced an hour and a half from where I live, in Trieste. As far as I know, Illy doesn't sell different kinds of coffee in Italy--dark roasted, medium blend, extra strong, etc--they just have the silver canister with their recognizable illy logo. I know wineries and malgas are the thing to do in Italy, but one of these days I would like to tour their factory and be able to graduate from their Barista University. Just like getting wasted at some of the best wineries in the world, I know there's a cult-like following out there that religiously travel to such temples of caffeine and brag about getting a killer buzz from the makers of some of the best coffees in the world. I'll thump my chest, rub it in their jealous faces, and maybe work off the caffeine by running through the streets of Trieste twenty times.
Illy's website

Roman convicts driving rickshaws as part of rehab
Don't really know though if I buy the authorities' reassurance that these guys "pose no threat to anyone." "Carefully chosen" suggests vague criteria randomly selected by a robotic switch controlled by some Italian clerk in the vast and forbidding maze of Italian bureaucracy straight out of Terry Gilliam's Brazil.
Photo from "Old Picture of the Day" (http://old-photos.blogspot.com/2007/09/chain-gang.html)

