Monday, November 29, 2010
Italian Beer Series: Birracrua Montecrocetta (Vicenza)
Sunday, November 28, 2010
Lodz
Some time ago, I was in a place where my main form of entertainment was watching CNN International and experiencing real life through hand-picked news segments by the news channel. During commercial breaks, they would constantly play the commercial above, enticing the viewer to discover this place somewhere in Central Europe that is pronounced remarkably different from how it is spelled. Would you in Lodz? Would I what? It didn't matter, as I became more bombarded by the commercial, I cared less about what exactly I was supposed to be doing in Lodz, I just wanted to do it there. It seemed so exciting, so lively and so full of energy.
The days of Lodz being in the shadows of Warsaw or Krakow is apparently about to end: steering away from the romanticism of its neighbors, Lodz is looking at contemporary art and music, avante-garde films, and modern shopping complexes to revitalize it. At the same token, it is aggressively trying to lure young entrepreneurs willing to build on top of the heap new factories, new housing complexes, and new strip malls. To an extent, I don't think their commercials lied; they just focused it on the banal. Lodz has a gloom akin to Genova or Torino, but its marketers do not know how to market it. All in all it should be good for the city, but I'm sure it will also lose that nostalgia of a faded beauty in exchange for an L.A. makeover.
Tuesday, November 23, 2010
Italian Beer Series: Castello (Udine)
Sunday, November 21, 2010
Busa di Novegno Snow Hike
Busa Novegno is usually known for its rolling hills, lots of malge, and WWI-related trails and caves, but we hiked today to the top of Busa di Novegno for one purpose: to see a winter wonder land when snow has not yet descended upon the Vicentino plains. We got more than we bargained for, and most of the day was spent desperately tying to keep warm, keep dry, and keep the snow from getting into our eyes. But I'll let the pictures speak for themselves, a good hike and perfect for a solitary day in the snow.








Saturday, November 20, 2010
Lago di Trasimeno (Umbria)
The northern shores of Lake Trasimene is an agricultural paradise: quiet, with the surrounding rolling hills filled with olive groves and vineyards. In the morning, a thick mist blankets the quasi-valley, making the atmosphere more peaceful and quieter still. But one could tell by the names of the surrounding towns the bloody past of this small piece of flat land: Sanguineto, Ossaia, Pian di Marte. This was the location of one of the earliest and most successful military ambushes in history, in a battle between Hannibal's Carthaginian forces against Flaminius' Roman army. In a matter of three hours, almost 20,000 men died and more were sold into slavery. Hannibal's victory was decisive and have been remembered throughout history despite a persistent campaign by Rome to erase him and his aggression from history. Agriturismo owners nowadays don't sell their products with Flaminius' face--Annibale's is plastered onto everything bottled sold by these farms. I wonder, what would he think of his legacy, now that his name is being used to sell quality wine and olive oil?
Monday, November 15, 2010
Italian Beer Series: Moretti Baffo d'Oro
Sunday, November 14, 2010
Movies in Italy: Voyages in Italy (Roberto Rosselini, 1954)
A film about the disintegration of an upper class English couple set in Naples, this film was originally considered a failure, Rosselini's cementing of his turn away from neorealism towards plotless stories about the upper class. The Italian and American critics hated it, but the French loved it, with Rivette proclaiming, "With the appearance of "Viaggio in Italia', all films have suddenly aged ten years". Although I would disagree that this film was as radical a shift from the films that came before it, it is definitely a departure from the typical products of the time. Rosselini does not use a traditional three-part narrative to portray the conflict between husband and wife. Instead, it is unfolded through their interactions with Naples: with its copious pregnant women, religious fervor, ancient ruins, and affinity for catacombs for the dead--almost a teaser for the far radical departure in narrative that will be introduced by Antonioni five years later. Some may think that the ending is abrupt and contrived, but do notice the actual ending: the film cuts away from the protagonists into a random street scene, which says a lot about what the filmmaker is really thinking about this "relationship".
Labels:
movies in italy,
naples,
rosselini,
voyages in italy
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